改革开放40周年影展*天山.
张建亚在映后见面会上提到《艾特熊和赛娜鼠2：吉波利塔之旅》后的青年，他想拍属于城市的人，现在回看，电影用四个个性鲜明的人物，几乎构建了类似迷惘一代的群像，整个时代处在一种青春状态，一种从角落突然走出的状态，由于匮乏而渴望，既茫然又怀有责任感，无论做什么，都要追问世界是什么，和我有什么关系.
这种时代风貌并非生造，而是透过风物志般的生活细节，芳芳的短发、大圣的满墙欧美海报、衡山路附近的街景、中图的商场和打桩模子、甚至还有贾樟柯式的流行金曲和电视新闻拼贴（包括对红高粱），这些真实的历史印迹已拆迁，那种时代精神似乎也随风而逝了，连同一种电影新浪潮的可能：开场查拉图斯特拉中亮起的外滩，阁楼上的低机位环绕跟拍，结尾的夜路走向迷雾. 即便卡拉扬纯粹成为符号，但这种对我们与世界的追问，仍然在寻求回答. 最跌宕起伏的人质交换了吧，小屁孩你小时候惯着他，赔上老婆身份地位护着他，没准长大了就是个terrorist，还绑你最好的朋友，逼你干最脏的事，terrorists就该淹死在马桶里，大家一起喝喝酒吹吹牛还有和平奖章拿，也不用搞个两人的仲裁公司，一不小心另一个人还走了. 6.5分，情节有点复杂，对话对得人烦躁. 裴淳华盛世美颜，哈姆哥稳得一批. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
